Stephen Wilkes is not about that single moment, not exactly. He is, rather, a collector of moments, staking out a location until he has hoovered up enough of them to tell the story of a single place. At first, the panoramas in Day to Night can throw you, as if your brain briefly went off-kilter. Is that a storm closing in fast? Or an eclipse hovering just below the clouds? The reality is altogether more ordinary and yet somehow more striking: day and night—together. These are not the briefest of moments. They are many moments, as many as possible, collapsed and fused into one.
Read more about his process on LightBox.